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・ Richard Alvin
・ Richard Alvin Neilson
・ Richard Alvin Tonry
・ Richard Alway
・ Richard Amasino
・ Richard Ambler
・ Richard Ambrose
・ Richard Amerike
・ Richard Amery
・ Richard Ames Hart
・ Richard Amhurst
・ Richard Amner
・ Richard Amory
・ Richard Amos Ball
・ Richard Amphlett
Richard Amsel
・ Richard Anane Adabor
・ Richard Anconina
・ Richard and Annette Bloch Cancer Survivors Garden
・ Richard and Esther Shapiro
・ Richard and Florence Atwater
・ Richard and Geraldine Hodgson House
・ Richard and Helen DeVos Foundation
・ Richard and Jane Manoogian Mackinac Art Museum
・ Richard and Joan Ostling
・ Richard and John Contiguglia
・ Richard and Judy
・ Richard and Linda J. Eyre
・ Richard and Mary Alice Frank House
・ Richard and Mary Parker


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Richard Amsel : ウィキペディア英語版
Richard Amsel

Richard Amsel (December 1947 – November 17, 1985) was an American illustrator and graphic designer. His career was brief but prolific, including movie posters, album covers, and magazine covers. His portrait of comedian Lily Tomlin for the cover of ''Time'' is now part of the permanent collection at the Smithsonian Institution. He was associated with ''TV Guide'' for thirteen years.
==Life and career==
Richard Amsel was born in Philadelphia. While a student at the Philadelphia College of Art, his proposed poster art for the Barbra Streisand musical ''Hello, Dolly!'' was selected by 20th Century Fox for the film’s campaign after a nationwide artists’ talent search; the artist was 22 at the time.
Amsel quickly found popularity within New York's art scene, and his illustrations caught the attention of Barry Manilow, then a young singer/songwriter named who was working with Bette Midler, a newly emerging entertainer in cabaret clubs and piano bars. Manilow introduced the two, and it was quickly decided that Amsel should do the cover of her first Atlantic Records album. The cover, for ''The Divine Miss M'' proved to be one of the most ubiquitous of the year. More album covers and posters soon followed, as did a series of magazine ads for designer Oleg Cassini.
His movie posters commissions included some of the most important and popular films of the 1970s including ''The Champ'', ''Chinatown'', ''Julia'', ''The Last Picture Show'', ''The Last Tycoon'', ''The Life and Times of Judge Roy Bean'', ''McCabe & Mrs. Miller'', ''The Muppet Movie'', ''Murder on the Orient Express'', ''Nashville'', ''Papillon'', ''The Shootist'', and ''The Sting''. (The latter's poster design paid homage to the painting style of J. C. Leyendecker, evoking both his "Arrow Collar Man" and his covers for ''The Saturday Evening Post''.)
Though brief, Amsel's career was prolific. By the decade's end his movie posters alone matched or exceeded the creative output of many of his contemporaries. His work graced the cover of ''Time''—a portrait of comedian Lily Tomlin, now housed in the permanent collection at the Smithsonian Institution in Washington D.C. In keeping with the magazine's stringent deadlines, Amsel's illustration was created in only two or three days.

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